"This is the first you've encountered such a thing, Coroner?" * said the man in white. He touched the brim of his wide hat, pulled it low. Beside strode a fellow in a grey apron, shirtsleeves rolled. Sweat glistened on his forearms and brown brow, coaxed from wide pores by heat and anxiety. A brick wall clad in tropical creepers staged the walking pair.
"Yes," said the Coroner, twitching a hand. "Well, not the first I've heard, Señor Investigador, but the first I've seen. The cutters at the Heron's Perch are full of tales."
The Investigator kicked a small stone over the mossy pavers. Momently, he waved away a sticky gnat.
"What is it these cutters say?"
The Coroner stopped, leant an elbow against the wall. "Investigador," he said, turning open a pink palm. "Before I speak, I need assurance. For my safety."
"May I ask why?"
Nervously, the Coroner glanced to a badge on the Investigator's jacket: A little silver eye with many points about it, like spiky lashes. "Ah," said the other man, noticing. A thin smile split neath the shadowed hat brim. "Of course. You have my assurance. Your connection to this investigation is merely incidental."
An uneasy grin stretched the Coroner's lips. "Of course," he echoed. He resumed walking. The man in white followed. Beside, the wall ended, gave way to tan brick tallhouses spidered with oily ivy. Green and yellow birds flitted cross the lane.
"The tales?" prompted the Investigator.
"Yes. The cutters speak of ruins within our island, made long ago by the dead Nôr."
"Everyone on Illa Corvoy knows this place is lousy with ruins, Coroner."
"That is not all. The cutters trade tales of a certain enclave within the deep boscage. They say the ancients lured a creature there from another place."
"What manner of creature?"
"One shaped like a great man. Some eidolon."
"Like the specimen we are going to see?"
"Yes. But head and shoulders greater. They say he is broad like the statue of Saint Tian in Giora Square."
The white hat tipped, looked at the other man. "I will admit some surprise, Coroner, your tongue is educated. And you have been to Carro. **You are not some back-island corpse-lugger."
"I attendedla Academia, Señor," said the Coroner. He pawed sweat from his brow with a handkerchief. "My mother was a merchant. She paid my way."
"You are wasted in this job."
"I enjoy it. Not too boring, not too exciting."
"And there will always be bodies to burn."***
"Yes," said the Coroner, slowly. He stopped at a yellow door. The man in white stood behind him, noted the hanging sign. It read“Mortuorio.”
"Who first told you of this eidolon?" said the Investigator, watched the other man put a key to the lock.
"A Belvirinianmouse. Returned on venture from the interior. She had a charcoal rubbing taken from a relief. An image of a huge man with a beard of chains. Evocative."
The Coroner paused a moment, one foot through the open door. A bead of moisture crept down his temple. “Indeed.”
They stepped through the threshold. A small office lay beyond. Creamy light fell from opaque, long windows clogged with ivy, lit a desk, a sparse rug, a heavy curtain at the back. A dry tang of grey salt met their throats. “Through here,” said the coroner. They passed through the drape. “Mind the dark.”
There was a click, a spark, a greasy flutter of flaring oil. Pale light fell from an iron hood, revealed a table. There lay the bare shape of a woman, indistinct under a pale sheet.
“One hundred eighty-two centimeters in height,” said the Coroner. “And ninety kilos. Took a couple fellows to carry it in here.”
The Investigator nodded, circled the body. Bright, staring pinpricks glimmered under the shadow of his hat. “Tell me again who discovered it?”
“Customs office. Found some cutters attempting to smuggle it out of port. Poorly, at that. Had it in a crate marked 'opals'.”
“Likely no less valuable, to a buyer.”
The Investigator stopped his circling. Abruptly, he pinched the sheet, tugged. Cloth fluttered under the light. Bright porcelain and steel gleamed under the oil lamp. A twitch of disgust flared the man’s nostrils. “Like a doll,” he said, pulled a long finger over the thing’s sculpted ceramic lips.
“Yes, but perfectly proportioned.”
The Investigator traced his finger over an unyielding cheek, round an open glass eye. “If it were crude, it would somehow be less blasphemous.” He tapped the eye, sneered, withdrew his hand.
“It is undamaged,” he stated.
“But it was dead when found?”
“As still as it is now.”
“You have examined it for life?”
“I suspect it never lived,” said the Coroner.
“Bien. Little more than perverse statuary, then,” said the investigator. Teeth flashed neath his hat brim. “A shame for the foolish cutters that their sentence will not be reduced.” He waved a hand at the body, turned away. “Have it crushed and slagged.”
“I will contact the smelter,Señor Investigador.”
The man in white extended a hand, took the Coroner’s sweaty palm. “The Inquisition is glad for your cooperation, Coroner. I am surprised you asked for assurance. You are a fine and righteous man.”
They passed through the curtain, back to the office. Shapes of ivy leaves, stenciled by the windows, fell over the floor. “You will, of course, report any future abominations of this variety.”
“Good day, Coroner.”
“Good day.” The office door clunked shut. The Coroner locked it. He produced his handkerchief, dabbed sweat from his face and neck. He set an elbow to the closed door, leaned there. A shuddering breath pulled through him. A small smile of relief crinkled the corners of his eyes. “He is gone,” he called, softly.
Behind him, past the curtain, there was a scrape of movement. Ceramic toes clicked as they met the floor, pattered over boards. Segmented fingers with sculpted nails parted the cloth, cautious. bluebottle glass eyes peered around, flitting and alive in the unchanging porcelain visage.
The Coroner turned. “We must find you some clothes, a disguise,” he said. The blue eyes nodded.
“And we must find you an escape from Illa Corvoy.”
On one hill, a blonde head peered from the mouth of a sheltered cave. Adaline the cutter surveyed the storm-lashed scree, withdrew into the rock. She plucked up a dinged, blunt sidesword, poked her small fire of pinecones disconsolately. †There, a spitted teacup hog burbled its meager fat into the hissing flames. Smoke ran up and out along the ceiling, sucked out by wind. A crack of thunder rippled through the rock. Adaline rubbed her ears, made a face, glared into the fire.
A black-gloved hand gripped the cave edge, pulled a body into view. A tall woman in a leather coat and full casque. “No, Señora,” said she, metallic inside the helm. “Merely a cutter seeking solace from the storm. I saw the smoke.”
Adaline exhaled, put down the sidesword. “Then it seems we’re alike. Join me.”
The tall cutter stepped through. “My thanks. Few caves here are not filled with wretches.” She crunched over to the fire, tossed down a pack and a barrel-fed gunspring. Adaline ogled the expensive weapon, the spare alloy coils. “I am Ópal,” said the helmeted cutter. Adaline took her offered hand, found it hard and strong. “Adaline Northing, of Dour.”
She broke off, stared at the other cutter. “Is that a mask?” saidAdaline uneasy.
“No,” said Ópal, setting down the helmet. She fixedAdaline with cobalt eyes, the only moving item in her pretty porcelain face. A permanent turn of amusement curled her sculpted lips. “I have afeared you,” said the metallic voice, concerned.
“No” saidAdaline, trying to drop her concerned frown. “Well. A little.”
A weird, chirruping burble of a laugh emanated from the small plates of Ópal’s throat.Adaline tried to return the chuckle, grinned, uncomfortable. “I know this is very rude, but, is all of you like that?”
“Yes,” said the ceramic woman. She stripped off a glove, extended a long, creamy-pale hand toAdaline. Gingerly, the human woman took it, marveled at the statuesque detail of the digits, the weird grey cords neath every segmented finger-plate. The hand was hard, cold, but pliable at the joints. The fingertips were scratched, rough. Adaline lingered, touching them. She pulled suddenly away. “Sorry.”
"It’s not every day you have to ask what someone is. I feel like a child.”
"A fair question. I’m told we are not many.”
"I am not entirely sure,” said Ópal, tilting her head. A drop of sadness tinged her tone, incongruent with the glad expression. “I have been told of clockwork people, animunculi, on Illa Corvoy, where I first have memories.”
"But, weren’t there more like you, on Corvoy?”
“I suppose there must have been, but I do not remember. My first recollections are of kind Alagórian cutters. They said they found me, taught me to speak.”
“Where are they?”
“I do not know. They were caught trying to smuggle me from the island, from the Inquisition.†† I would not have escaped, but for a sympathetic coroner.”
“Yes. It’s not so easy to find a sufficient craftsman.”
“Does it hurt?”
“No. I understand I do not hurt as others do.”
“But you can feel?”
Ópal nodded, drew her fingertips along the ground. They grated softly.
"Typical, irreverent Firlesé," said Ópal, suddenly stern. ††† Surprise flushed Adaline's face. She quit chewing. She searched the impassive glass eyes.
The same burbling chuckle filled the cave. Ópal waved a playful hand. Adaline grinned, embarrassed, resumed her meal. "You must be amazing at cards."
"I have a certain advantage."
Adaline frowned, waved the spit. "How'd you become a cutter, anyway? I'd reckon a girl like a marble statue wouldn't ever have to get bloody and dirty. You'd dominate the Rue de Couture."
Ópal produced a contemplative, burring hum. "I was taught how to live by the cutters who found me. They were very much like parents. Venturing is all I know how to do." She tilted her head. "If you were raised by wolves, would you naturally become a statesman or a chef?"
"Suppose you're right," said Adaline. She nibbled pensively at the hog carcass. "Suppose I'm jealous."
Adaline made a face. "It's obvious. You're beautiful and strong and powerful. You'd make it big whether you were in a Tomb raid or a ballroom. Perfection."
"I disagree," said the metallic voice, suddenly sharp.
"Because I am equally jealous of you: Adaline Northing, who can walk in any Southern street without fear of the Inquisition, who knows her family in Dour, whose flesh moves and heals like a proper person." Ópal yanked back her sleeve, bared her forearm. Spidery lines of lead showed where the ceramic had been repaired like shattered pottery.
"Oh," said Adaline. Her gaze flitted between the arm and the cave floor. Thunder boomed through the rock. The fire popped once.
After a time, Ópal spoke. "You are also heading North?"
"Yeah," said Adaline, hesitant.
"Would you travel with me for a while?"
The blonde cutter's eyes widened. Seeing this, Ópal shifted, waved a hand. "Given you need a venturing partner and I, unfamiliar with the North, could use—"
Ópal hesitated only a moment. "Yes."
"I will," said Adaline.
"Good," said the porcelain woman.For a small moment, though it might have been the fire, the light of a smile seemed to glitter in those impassive bluebottle eyes.
He is an eidolon artisan brought to Nören by the ancients. ‡‡ He is older than the Lord of Humanity herself, and, to those who know of him, no less deific. Though none yet remember why he was brought to the world, it is easy to judge by his toil, for his works are living beings.
For use within retroclones and d100 systems, consider the following tentative rulings.
Animunculi are treated as human with the following alterations. They are:
Further, they are subject to one of the two following properties (as appropriate your system:)
Optionally, GMs may apply a sanity penalty (if they use such a stat) for missing or mismatched plates. Missing face-plates should incur the greatest ill effect. Willful alteration of appearance via place switching does not incur such a penalty.
Take care in using these stats, as they are untested. The classless Incunabuli system will necessarily include more nuanced animunculus rules.
This article was requested by Nathan, one of Incunabuli's generous patrons. If you, too, wish to influence the lore, support Incunabuli on Patreon.
* The title of Coroner describes an official skilled in necropsy, investigation of death, and the hunting and termination of plague.
** San Carro is the capital of Alagór, the Coast's southernmost nation. Illa Corvoy is a large, island territory of Alagór.
*** Bodies are most often cremated, to combat plague
† In many areas, pinecones are sufficiently large to start and maintain a fire by their own bulk. They are useful arsonist’s tools.
†† The Holy Inquisition of Alagór, though thought to be dissolved by many, is still functioning both nationally and abroad. They pursue intensely humanocentric goals. They are categorized as a terror group by the Firlish Crown.
‡ Bluets are a variety of bulbous blue fruit. They sprout on vines grown on high trellises in the warm islands of the South. Their transparent flesh is truly succulent.
‡‡ "Nören" is an uncommon name given to the Coast. It is uncommonly used, spoken only by those who consider and realize this as a small and tattered realm among uncounted many.
‡‡‡ The first reports of animunculi appeared in the year 3.450.