Eidola, or Forgotten Knights
A great map commanded the room. A gridded realm of canvas and ink stretched over continental furniture.
Mice in suspenders and shirtsleeves scurried, furry titans on the landscape, clutching up and setting down pins, miniatures, and labels. They bore inkpots, pens, fine brushes; delicately altering the surface of the painted land. Beady eyes peered through thick spectacles, intent. Ash dribbled from cigarettes lodged in rodent jaws. Ears and whiskers twitched, concentrating. All in quiet, save a few gossipful mutters and the brush of footpads on canvas.
Someone spoke up. The mice perked their pink ears.
“Report: Expedition to Caircollin amended. Expunge,” said a woman with pile of pink teletype slips in hand. * She passed the slip to a clerk.
A mouse rushed to comply, snatched a label from the relevant grid-point. “Done, Smithers.”
Smithers nodded. She drew another teletype. The ink, fresh, smudged her fingers. “Prospective yield in Draum has risen again. Amend, plus three million.”
Another mouse rushed to the continent-table’s edge, removed a ledger from shelves neath its lip. He rifled through, adjusted a figure, skittered to plant a new counter on an inked frontier town.
Nearby, in the rose-paneled wall, a door clicked brusquely open. Hard-toe flats passed through.
“Master Smithers. Updates from the cashiers,” read a spectacled woman from a clipboard. “The estimate from this morning’s return from Leeland Haunt is corrected to five thousand, and they are still de-gilding the walls.” **
“Thank you,” said Smithers, pointing to a mouse, who nodded, obliged, corrected yet another record.
“And the casualty rate was seventy percent, not eighty. A cutter presumed missing reported in, said the others tossed him off a bridge on the way back in hopes their shares would increase.”
The table of mice chuckled. Smithers shook her head, disapproving. “Animals. Dock their benefits.”
“Of course.” She departed.
At the table, a brown mouse stood. She buffed ink from her clawed paws with a rag. “Any chance of an update from the Sansevie Raid?”
“Afraid not, Tiff. Communications are still down after the breakout.”
“Shame. We are enjoying following that,” said Tiff. The others, noses bent to work, nodded.
The door opened again. A bearded man swung through, panting. His tie was askew. He held a scrap of typewritten paper. “A tele’ from Sommersault Consortium,” he heaved. “From the Yawn of Auld expedition.” Smithers and the mice looked up with interest.
“Go on. And do breathe, Wilkins,” said Smithers.
Wilkins gulped. “The cutters have withdrawn. They encountered an eidolon in the first hall.”
The mice began gossiping hotly. Whiskers twitched, excitedly ablur. “Casualties?” squeaked one. Smithers glared at them, resignedly at the bearded man.
“Sixty percent.”
The mice cringed. “Damn,” mumbled Smithers.
“They request immediate reinforcement,” said Wilkins. “The Firm has heavy infantry on retainer nearby.” †
Smithers curled her lip, frowned. “No need for that.”
Wilkins gaped at her. “It tore them apart, Master, and they were Standing Four.”
“If it’s an eidolon, Wilkins, it’s probably been there two millennia. It’s not going to leave, now.” She turned to the mice. “Do we have any known errants, nearby?”
The mice scrabbled, opened a half-dozen ledgers. “One put up in Sommersault town. A Sir Courtebank,” squeaked one. “And a Sir Hewn, of Tort is in County Persecht, with squires. Very good standing.”
Wilkins frowned. “A knight errant? Is that an appropriate thing to do?”
Smithers drew a thin squint of a smile. “Wilkins, I realize you are new to the Firm,” she said. “But there are traditions to be upheld, for the sake of respect.” The mice at the map-table all nodded. “To kill a knight, you must use a knight.”
Smithers snapped her ledger shut. “It is the most appropriate thing to do.”
A grating of steel shivered through the halls. Rasping, sparking. Steel against stone, bouncing off moldering grey walls and vaulted ceilings, around occluded corners sconced with skull-faced statuary. The sole sound in bleak passages, save the crunch of bootnails on ancient tile.
Three pairs of bootnails. Three walkers down the high, dark corridors. Two were squires; armored, laden with packs. One of them held a lantern. The other: A broad, rectangular shield, thickly pitted, too large for his frame. They kept close behind a towering third.
He, their charge, ground cracks into the tile with every steel-shod step. A towering man, queerly long of trunk and limb, clad completely in interlocking, scalloped steel. His every move hissed, whirred softly, driven by the cowled mass of hydraulic arms hidden close, connected to his broad back and every armored appendage. In the hinged elbow of one arm, he couched a plain helm of forged plate and steel mesh. Large, metal fingertips ground into the dome, nervous.
“It’s close,” he said.
“The sound?” said one squire, behind. She peered round the gigantic shield’s burden, ear turned to the grating echo.
“The eidolon,” nodded the Knight. Ahead, just visible in the lamplight, showed stained lumps strewn over and against the floor and wall. Some dozen corpses, blotchy with fresh rot.
“Oh,” startled the lantern-bearer. He jumped, caused weird shadows to writhe over the walls.
“Plague?” said the other, breathless. The two poised nervously.
“I would wager not,” said the knight, keeping on. “These cutters had standing. Could afford their salt.” He sneered, grimly. “In too many pieces to live again, anyway.”
Only a few meters farther down, there showed an archway. Chipped, flanked by carven, cracked statues of death. Past it came the grating. “This’ll be it. See that?” said the Knight, pointing above the arch. A stone plate was graven there, written in ancient speak and near-indecipherable. One squire squinted, read the words aloud.
“Things to be forgotten;
Place to be forgotten.”
“The litany?” she said, frowning. †† “That’s meant to come at the beginning. How can this only now be the mouth of the tomb, after so far?”
The Knight shook his head. “Can say neither why, nor whom built it this way.” He extended a free hand to his shieldbearer. “We have but one purpose here.”
Wordless, the attendants set to work on their ironclad master. They slid his shield, oiled, into its T-shaped mount upon his forearm plate. It took fast, buttressed by reinforcing spokes up to the shoulder. They set and rotated the helm, locked it into its armored neck ring. Its mesh eyes peered only just above a great, banded alloy gorget. They disengaged and carefully withdrew a maincoil—a cake-tin sized round housing, whispering with the contained energy of a hundred meters of vibrating alloy hairspring—from the man’s steel back, replaced it with a fresh surrogate. Then, they proffered the hammer.
This weapon, a meter and more long and cruelly beaked, the knight took up himself; locked it fast in the chainmaille pad of his paw. Steel scraped against knurled steel as he gripped it, breathing slow, helmet bowed. Listening.
From beyond the dark arch, the grating still came. Short, close. The Knight looked up.
“Put the flares in quick, after me,” said he, hollow within his steel casque. He stretched, rolled his shoulders. The armor complied, pliable, produced a chorus of small clicks and pressurized squeaks as plates and pistons ground over and within each other.
“Aye.”
“Wish me well,” he said, breathless with sudden energy.
“As ever,” said the shieldbearer. Her fellow nodded, smiled grimly. The Knight nodded. With loping strides, impossibly light, he made for the arch and ducked beneath. Darkness surrounded him.
A pair of stars arced in from behind him: Flares, bright white and near-smokeless, tossed by the squires. What they revealed gave the Knight pause. An open plain of pillars on grey stone. Bleak, unadorned, shedding shadows like trees into the immense black beyond the flare’s light. And midst them, a rough marble throne with three corpses slumped at its side.
Upon it sat the eidolon. A creature of wrought iron, plated all over and studded thickly with decorative rivets. Humanlike, queerly elongated. It hunched where it sat, knees higher than shoulders, long neck bowed to where spider-hands worked an oblong whetstone over two meters of gleaming steel. With every strop, the stone, wet with some red oil, ripped a grating note from the cruciform blade.
At this sight, the Knight paused, gripped his hammer. A breath caught in his throat.
The eidolon’s flat-topped, frog-mouth helmet turned to face the sound. No eyes showed in the long, tall faceplate. Only two conelike divots for ears. A crack and a clatter of stone echoed under the pillars as it released the whetstone. Then, a breath. A long, drawn-out pull through dry tubes of flesh. And as it inhaled, it stood. A hundred layered plates of iron clinked and slid on the willowy limbs of that protracted form. It stood like an iron lamppost, casting a spare silhouettes in the blaring flarelight.
Dwarfed by a meter or more, the Knight swallowed, straightened.
“Eidolus,” he pronounced, voice too-quiet within the helm. “Fratrem in ferro,” louder. He lifted his hammer, pointed it at the iron guardian’s sword. “Perform for me the task for which we were made.”
The eidolon nodded. Slow, it approached, blade lax at its side. The Knight raised his shield to match, bent at the knees, on guard. His every move elicited a series of mechanical retorts.
“On your guard,” declared the Knight.
The eidolon kept on, head cocked.
“On your–” he yelped. The eidolon swiped at him, fast. A stab, hooked so far round from the right it would have connected, save the shield’s right corner, where a gouge now showed in the steel slab. The Knight’s heels crunched into stone, driven down and back by the weight of the blow.
Without pause, the eidolon pulled its huge blade into both hands and struck again, overhead, down at the Knight’s back with the point. Pistons spat and groaned, jerked to lift the shield and absorb the blow. Hinged knees buckled, momently, as he blocked the blow.
This exchange proceeded a half score times again. The eidolon, towering, whipped its great weight of steel thought the stale air with casual ease. The Knight, huddled under his battered slab, groaned. In the violence, black and silver steel glimmered, swam with countless pinpricks. The flares’ stark starlight.
Another swing. This time, the Knight, already crouched, leapt aside. Steel ripped through the space he’d occupied, came back around too late. The eidolon, legs locked, could not dodge the beak of steel which punched greedily through a plate above its hip.
The wrought-iron creature staggered, but only briefly, righting itself. The hammerhead ground free, pulled with it an arc of dark ichor smelling of putrid almonds. It stood hastily, sword fending, before the panting Knight. Purple-red gore and a wash of some clear oil trickled from neath its plates.
They stood a moment, silent. From the archway, there sounded small, desperate cries of encouragement. The Knight heaved, gasped, grinned at the squire’s words. With every breath, with every movement, his armor whirred, clicked. He straightened.
The eidolon began to circle fast around him, thin, legs crossing over each other, long-toed sabatons tracing arcs, sword still extended. Dry breath rattled in its long, iron helm, canted to listen.
Abruptly, it feinted. The Knight jerked to parry, groaned as he realized the false move. He leapt back, crashed his heels into the tile, expected a counterattack. His armor screamed with exertion. The eidolon’s head swiveled, following
It feinted again, viperlike. Again the Knight leapt, this time forward, retaliating, but missing. The eidolon simply stepped back, seemingly unhindered by the mangled plates and collapsed, gristly flesh of its hip.
“What are you doing?” gasped the Knight.
It swung again. The Knight countered, but met air. The eidolon had pirouetted. A rush of air and speeding steel rippled behind his back, inches close.
They still circled. The eidolon’s head faced sideways, ear to its opponent. It feinted again. The Knight dodged, armor groaning and shrieking with pressure.
The eidolon stopped, and leapt a step back, sword limp.
“What?”
It stepped forth again, slow. “Are you listening?” said the knight, as it neared. “Listening to my armor?”
Still it came. The Knight remained in place. He scoffed. “Trying to listen out a weak spot? Though you’d have some better trick than that!”
Before him, the eidolon jerked its sword up. The Knight struck as soon as it did, expecting a faint. It wasn’t a feint.
The eidolon struck down, overhead. As the Knight’s hammer bit again into his foe, the eidolon’s great blade cracked deep into the mechanisms of his back.
There was a shattering of steel, a crack like a whip and a thunderbolt combined. Hundreds of yards of alloy hairspring exploded, shattered and sinuous, from their housing in the Knight’s armor, tore chunks of steel plate, flesh, and mechanism within them. The armored man was thrown up and into his foe, who swatted him limp from the air with a counter-swing.
From the arch, the squires cried out in dismay and watched as the wrought-iron giant bore down over their motionless knight; his chest-plates now caved, his armor ruined. They watched as it seized him one-handed by the helm, and, with shock, dragged him, limp and grinding to the arch. They scampered back, watched the eidolon deposit their charge within reach. At that, it stopped.
Slow, bleeding, the eidolon resumed its throne. Rasping, battered, it bowed its helm, set to waiting.
Waiting, to perform again the task for which it was made.
Knights
There exist two kinds of knight in this world, and they are not easily confused:
One owns a title. An honorific. A military rank. A badge of office given by his head of state. A reward for some act of service to crown and country or in recognition of a career well spent as a patriot. He is seen at veterans’ society halls, committees, and board meetings. He is a mortal man. ‡
The other owns a suit of armor. She is seen in military parades, gleaming head and shoulders above mustard-clad marines and escorted like a battleship down the Rue du Triomphe. She is seen at the Dauphin’s side, his advisor and protector from an early age, his only friend— and the only sole reason he is still alive. She is seen on the battlefield, her brassy gleam stifled by gore and carbon, tearing down the stakewalls of the Separatist holdout as men rush, cheering, to the breech. She is a paragon of humankind.
The second is with whom we are concerned—a knight in the ancient sense: An armored paragon made larger than life by traditions martial and chemical. Wrought by a lifetime of soldierly practice and tempered by obscure augmentation. A figure familiar since the feudal era in the courts and parliament-houses of nations, lending leaders the level surety and wisdom of heirloom strategy, and in war accompanying fellow soldiers in battle; an inspiring, devastating vanguard. An avowed superhuman. A legendary figure.
Despite the legend and the mystique, to be a knight in the modern day is no parachronism; no tradition misplaced in time. Knightly orders have bloomed in the modern day, enhanced by sophisticated arms, armor, and medicines borne of the Industrial Enlightenment.
Contemporary knighthood is defined by the ironclad harness. An all-encompassing articulated armature worn like a cage around the torso and limbs. Its load-bearing hardpoints permit surpassing thicknesses of armor steel and machine-woven ballistic chain to be layered on the wearer, cladding them in a quantity of armor formerly better suited to warhorses than men at arms. In more recent examples, ironclad harnesses integrate hydraulic rods driven by accumulators compressed by an immense odite alloy maincoil worn on the back, similar to those used in gunsprings.
Contemporary knights have progressed vastly in tradition, too, well beyond the conservative, religious, existential vows of old brotherhoods. ‡‡ Chivalrous doctrines, based on honor, restraint, and the preservation of civilization, have diminished. They are now outnumbered by modern creeds encompassing the ever-broadening range of sociopolitical, philosophical, and economic ideologies that have bloomed since the Enlightenment.
While some orders still serve fidelitas et humanitas, many have diverged. Some knightly orders are now mere special military branches, divorced from ideology entirely (such as Firlund’s K Unit.) Some are secretive militants aligned with the direst fringe of a growing theocracy (the Order of the Black Lock, aligned with the Avethan See.) Some are familial soldiers, sworn only to a particular bloodline and its imperial interests (le Chevaliers Domainiens, who serve the Empress of Empereaux.) The most reduced in their chivalry are raw capitalists, who lease their services to the highest bidder, usually Coastal banks (the Valerian Freelancers.)
Some thinkers fear the effect of diminished chivalry, suggesting that a modern chevalier, divorced from his antique moral code, lacks an essential measure of chaste restraint. Restraint necessarily instilled in the mind alongside the chemical processes enacted upon the body, by which a knight gains strength, stature, and durability. § Which make them a fearsomely potent actor if not directed by a strict dogma. They argue that “knightly orders,” devoid of ideals, become mere cabals capable of producing abominable champions.
Indeed, a knightly order is, at its core, less a coalition of warriors bound by vows, and more an assemblage of specialists. More a laboratory than a monastery. What might be mistaken for—or deceptively presented as—an assortment of elder knights, seneschals, and spiritual advisors is in any given order an assemblage of practitioners skilled in less romantic arts. The expected armorers, ballistics specialists, and scouts are there, yes, but more critically, there are doctors. Practitioners learned in the strange processes that grant knights their strength—in the abuse of human growth—and magicians vested in the chemical and surgical arts that have long accompanied knighthood.
The chemical secrets of knighthood are long propagandized (if they are let to be known at all.) They are declared to be marvels of modern science. They are not—they are sorcery.
Eidola
Knighthood’s origins are secret, not just because they are guarded patents or private procedures, but because they are sorcery. Artifact-methods. Relics reverse engineered from the corpses of all knights’ progenitors.
Eidola. Deathless guardians in tombs and ancient places. Twisted knights of old, made strange and single-minded by sorcery and millennia-long postings at past ages’ forbidden gates and buried fastnesses. Creatures, presumably once-human, made horrific and durable for time immemorial. They are the knights of old, with their steel skin, corrugated veins, and misshapen frames. War-things from an ancient age, buried for all time. They are the true basis of modern knighthood.
For this hideous truth, the knightly codes of chivalry were written. To separate today’s knights in both thought and potential action from the terrible nature of their progenitors. To clad and reassure them so profoundly in their purity and exemplary human status as to enable them to face fellow knights on the battlefront, patriotically justified by the coda, and to face their ancient brothers in single combat, assured of the other’s inhumanity. All without doubt.
Yet, with every passing decade, with every knight made stronger and more inadvertently inhuman than before, swollen by the secrets of ancient sorcery extracted from fallen eidola, one may see reforming the terrors of old. Glimpses of the monstrous enforcers from a Dark Age, by whose prosecution the human populations were repressed and reduced to chattel by ruling serpents and armored giants. And by which the conquerors of millennia ago removed their humanity and brought themselves up as armored sorcerer-kings.
The codes of chivalry no longer hold. Human knights come ever nearer the inhumanity they were long fooled they lacked. Every improved decoction, every mechanized armament, and every forgotten order of honor draws closer the day a knight sees in themselves not as servants, not as guardians, but as conquerors. Superhumans, subjugators. Kings.
notes
This article became a little big, for what amounts to an excuse for putting a boss at the beginning of the dungeon.
This contains the greatest collection of spiderlinks to other articles to date. It likely represents the most interconnected piece of lore in the Incunabuli fiction.
This post was largely overhauled in 2025 to re-fit the modern, more developed setting and to suit the new website.
Sir Hewn of Tort is an anagram from back when we did Patreon, of one of Incunabuli’s generous Patron’s names.
5 comments on “Eidola, or Forgotten Knights”
Why does the cheese reanimate but not the gibbets of flesh? Good-ass article tho
Different fungus/bacteria. Plague prefers an intact frame. Cheese bacteria will accept any bit of milkfat they can curdle.
That is some weighty as hell combat. Love it.
Sir Hewn of Tort! I can’t believe I didn’t pick up on that in the Sinkhole. Loving every glimpse into the forgotten magicks of the sorcerer-kings
You are canon, my friend. A very good name for anagrams, at that.